In A Light Left on in the Hallway, Caroline Kent presents paintings that range from intimate linen panels to monumental unstretched canvases. Inspired by midcentury black-and-white cinema, she flattens and carves space, embedding pigmented cement forms into recessed surfaces. Repetition with subtle variation guides shifting motifs across cloth, wood, and concrete. Light and shadow structure these works, which hover between memory, architecture, and abstraction.
