Todd Gray: Church and State

Todd Gray’s *Church and State* at The Brick features monumental new photographic assemblages alongside archival materials tracing his career as both a commercial and fine art photographer…

Franne Davids in Paris

Franne Davids (1950–2022) painted for nearly forty years in her parents’ Connecticut basement after a schizophrenia diagnosis, filling flat, patterned spaces with women alone or in groups. Unknown in…

Reggie Burrows Hodges: A Theater of Passions

A deep admirer of historic European painting, Los Angeles-born artist Reggie Burrows Hodges created a new series of paintings inspired by the art of father-and-daughter painters Orazio and Artemisia…

Dimitri Chamblas: Ulysse Marion

In *Ulysse Marion*, Dimitri Chamblas explores the lives of dancers Marion Barbeau and Ulysse Zangs through conversation, memory, and solo performance. Drawing on their training with the Paris Opera…

Tomory Dodge: Zig Zag

Tomory Dodge’s *Zig Zag* presents new oil paintings on canvas built from layers of stripes, dots, and zig-zags that are laid down thickly, scraped back, and painted over again. Traces of buried…

Jenny Yurshansky: What We Carry

*What We Carry* explores how immigration and displacement shape memory, identity, and belonging. Drawing on community storytelling, Jenny Yurshansky brings family histories into dialogue with…

Ann Thornycroft

A solo exhibition at Official Welcome in Los Angeles devoted to Ann Thornycroft, a British-born, LA-based abstract painter. Trained at London's Central and Chelsea art schools, Thornycroft developed…

Julie Shafer: The Parting of the Ways

Julie Shafer’s *The Parting of the Ways* examines the layered histories of Western expansion through photographs made along the Oregon Trail in Wyoming. Focusing on rock faces where settlers’…

Jennifer Celio: Species In Danger

Jennifer Celio’s *Species In Danger* explores environmental degradation through meticulous graphite drawings of endangered Southern California animals. Each species is paired with the human-made…

Heirloom Fantasies

Dané Estes: Alack, There Lies More Peril in Thine Eye Than Twenty of Their Swords

Dané’s *Alack, There Lies More Peril in Thine Eye Than Twenty of Their Swords* brings together paintings, sculpture, and works on paper exploring perception, memory, and transformation. Through…

Patrick Wilson: Things I Like

Patrick Wilson’s *Things I Like* presents new hard-edge abstract paintings exploring color, perception, and the act of looking. Built from dozens of precisely applied layers of opaque and translucent…

Sean Cairns: And when morning comes it comes in the morning and never at night

Sean Cairns’s *And when morning comes it comes in the morning and never at night* presents vertical nocturnal landscapes in oil and sand. Viewers see a darkening sky and the moon over forests in hazy…

Sarah Ippolito: Growing by Living Together

Sarah Ippolito’s Growing by Living Together (ANTEROOM at Official Welcome) evokes diving a reef wall: two ceramic tondos register the superorganism of coral, sponge, and neon life building on itself…

Chris Lux: I’d sit inside a bottle and pretend that I was in a can

Chris Lux’s *I’d sit inside a bottle and pretend that I was in a can* pairs paintings of friends from the late 1990s and early 2000s with stained glass that casts colored light across the gallery…