In A Room of One's Own, painter Flora Temnouche returns to her Berlin and Paris apartment-studios with a shift in focus from the textures of shared domestic life to the problem of self-representation. A recurring fur—worn or draped, sensuous or protective—and mirrors that withhold as much as they reveal structure the exhibition, where what is kept back is as much a self-portrait as what is shown. Here, solitude is entirely her own.
