A Wilderness of Mirrors navigates the porous boundary between observation and memory, asking how we experience "reality" in an era increasingly defined by digital simulation. Rooted in en plein air painting, the work offers a tactile counterpoint to virtual drift, while recognizing that seeing is always subjective. The title nods to strategic deception and refracted truth, echoing John Berger's idea that looking is never neutral, but shaped by the relationship between viewer and world.
