Aaron Brodeur: Is it going good in the garden? presents sculptures situated within a post-natural garden environment shaped by cultural debris and synthetic growth. Assembled from concrete, wood, plastics, marine debris, and industrial remnants — coated, layered, heated, carved, and painted — the works occupy unstable territory between organism, artifact, infrastructure, and ritual architecture. Brutalist structure intersects with absurdist logic through forms that appear familiar yet altered, as if original purposes dissolved and new behaviors emerged. The title offers a deadpan wellness check on paradise long after human intervention has reshaped it — half curious, half doubtful, quietly tragic and darkly funny.
