Ken Gonzales-Day: Afterlife explores race, history, and museum narratives through photography. He digitally reassembles objects from Mexica, Mesoamerican, European, African, and Asian collections, creating images that reflect interconnectedness and cultural afterlives. Works like Xipe Totec with Busts and Dying Gaul/Chac Mool interrogate representation, elevate overlooked artifacts, and highlight the presence of marginalized communities within historical frameworks.
