Kevin Beasley: All I thought / I loved recasts landscape through a years-long inquiry into his family's century-old property in Valentines, Virginia. Resin and raw cotton sourced from the site form cast relief sculptures built upward in reverse within a mold, scenes glimpsed on Virginia drives dissolving into material through a Sharpie transfer process. Resin paintings move toward immediacy, layers of quick-drying color pressed with a plastic wedge unsettling the image's coherence until atmosphere becomes the image itself. Three films extend the work into sound and duration, including a portrait of his father walking unhurried across the family field — a direct gesture toward lived, generational inheritance and contested ties to land.
