All the TO-BEs That Are Already Being Known brings together Frank Haotian Cong, Brian Hudson Huang, and Aubrie James in research-based practices that problematize contemporary technoscience through drawing, sculpture, and multimedia installation. Cong uses endurance performance to confront the absence of laboring bodies and native microbes from "fast fermentation's" simplified narrative. Huang releases ambiguous robots — neither organic, machine, insectoid, nor reptilian — that haunt the gallery as observers, blurring autonomy and consequence. James's drawings and sculptures expose the grid as an organizing principle of biological inquiry and information technology, surfacing a piece of earth from a contested future data center site.