And the Moonbeams Kiss the Sea features layered landscapes by Jocelyn Fine that explore the dissolving boundary between human beings and nature. Anthropomorphic elements—forests carrying emotion, landmasses conversing with the moon, bark resembling skin—suggest a shared pulse between the human body and rhythms in the natural world. The title borrows from Percy Shelley's Love's Philosophy: nature as a living network of relationships, modeling the connections we might cultivate with one another.
