A 1932 party in Oakland sparked a movement that reshaped photography. Ansel Adams, Imogen Cunningham, and Edward Weston formed Group f.64, rejecting painterly Pictorialism in favor of sharp, detailed images. Around Group f.64 traces this legacy, from early Pictorialist works to the collective’s defining photographs. The exhibition expands to connections with Langston Hughes, Tarrah Krajnak’s reinterpretations, and street photography from the 1970s onward, capturing San Francisco’s raw energy.
