April Street and Becca Mann’s two-person exhibition at James Fuentes considers the transformation of nature as shaped by tools, technology, and perception. Street’s large-scale watercolor drawings chart time through her own bodily gestures, evoking imagined terrains tied to memory and metaphor. Mann’s process-intensive paintings reinterpret botanical forms through photographic references, using light, scale, and pigment to alter temporal and sensory experience across varied painterly techniques.
