Belief May Vary is Christelle Oyiri’s first institutional solo exhibition in the United States. The exhibition examines belief as something reassembled under rupture and displacement rather than inherited intact. Centered on the commissioned video Hauntology of an OG, alongside sculptures and bas-reliefs, the presentation draws from music culture, diasporic practices, and altered sacred symbols to consider faith as a hybrid, unstable structure shaped by history and material conditions.
Selected Works
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