In Case Studies, Peter Wegner takes the foundational tools of visual order—color wheels, maps, photographs—and quietly destabilizes them, resulting in a recalibration of how we see. Wegner’s images refuse to stay within their grids; instead, they fold, flip, and multiply until structure reveals its fragility. Working at the fringes of lens-based media, Wegner underscores how images do not merely depict reality but produce it. The works invite viewers to dwell in that delicate zone where form and perception meet, at the edge of seeing, where meaning begins to flicker and reorganize.
