Choon Mi Kim: Ringing presents paintings that unfold as ever-shifting environments, merging sensation, memory, and emotion. Rotated and repositioned during creation, each work plays between mark, color, and gesture, evoking both surface and depth. Titles like Perched or Sea Lot suggest forms without depicting them, creating spaces where perception and experience converge, inviting viewers into a delicate, constantly evolving interplay of recognition and ambiguity.
