Cindy Ji Hye Kim’s Saboteur: A Prehistoric Wish presents site-specific paintings, silk works, and sculptures exploring the body, memory, and seasonal cycles. Drawing on medieval calendars, skeletal forms and disintegrating limbs evoke transition and loss, while Korean letters transform into formal scaffolds. Hand-carved Kokdu figurines act as guardians, framing the gallery as a space where remembering, forgetting, and psychic reconstruction converge in ritual and allegory.
