Circular Ruins marks the LA debut of painter Beverly Acha. Based between Brooklyn, NY, and Bennington, VT, Acha's new body of work takes up the rich symbolism of time and the systems we use to order it, playfully opening and subverting both. Informed by magical realism (the exhibition shares its title with Borges's 1940 short story), the work offers familiar forms that refuse to behave: the spiral that doesn't resolve, the clock that doesn't comply, the moon that keeps its own time.
