In Connections, Sunny Taylor draws on the overlooked surfaces of the built environment—patched walls, eroded building façades, layered paint, and improvised architectural repairs—as a point of departure for a materially driven abstraction. Her paintings echo the visual language of conservation and adaptation, where surfaces record time through accumulation, interruption, and revision. Working exclusively in acrylic, Taylor builds and dismantles her compositions, leaving traces of adjustment and continuity, damage and renewal.
