Drive-In presents a triangulation of an El Camino, a monochrome painting, and a video by Olivier Mosset. The 1964 El Camino, painted primer gray, references the cult film Two Lane Blacktop and represents Mosset’s long-standing use of the car in Tucson. The 1983 monochrome painting embodies Mosset’s iconoclastic, neutral approach to art. The video captures an event where a car's revved engine creates noise and burn marks, emphasizing Mosset’s engagement with art’s autonomy and detached participation.
