Daniel Correa Mejía: El amor se esconde como un animal salvaje presents new paintings of care, intimacy, and love set against vast landscapes, expanding his signature biochromatic palette of red and ultramarine into the full gamut of spiritual tones — ochre to teal, mauve to amber. Like a wild animal retreating at any sign of threat, love in these works is approached rather than captured, its bonds deliberately ambiguous — familial, communal, romantic, or all at once. Multi-panel arrangements present each scene as non-hierarchical; cosmic symbols blur the micro and macro; humans, animals, and hybrid creatures coexist without a dominant perspective. Connection here is a radical act of shared vulnerability, requiring immense courage to sustain.
