Kennedy Yanko’s Epithets explores the tension between abstraction and figuration, merging industrial materials with fluid, painterly gestures. Her sculptures, made from contorted steel and paint skins, transform ephemeral movements into solid forms. Inspired by Jungian psychology, this work delves into the hidden self, using deep blacks and luminous colors to create pieces that feel both grounded and weightless. Epithets reveals raw, unfiltered emotion, capturing presence through material and form.
