
Leo Frontini: Everlapsing Interlude presents kaleidoscopic worlds where interiors, landscapes, and figures shift between beginnings and endings. Drawing on memory, lived experience, and fiction, his paintings distort perspective, scale, and form, merging classical training with Rococo, Reubens, and Monet influences. Pauses, interludes, and subtle gestures capture fleeting moments, while sculpture and glass extend his visual language into three dimensions.