In this new body of work, Estrada deepens his long-standing engagement with abstraction, using it to explore formal and emotional terrain marked by both pleasure and its opposite. His paintings reflect the undercurrents of existential anxiety that define the present moment—sentiments echoed in the philosophy of the video game Assassin’s Creed, from which the exhibition takes its title: Everything is possible … nothing is true. For Estrada, this phrase suggests a worldview shaped by uncertainty, chance, contradiction, and ambiguity.
