Yto Barrada’s Thrill, Fill and Spill spans textiles, film, sculpture, and painting, weaving research on colour, ecology, and memory with her deep ties to Tangier. Using plants grown at her eco-campus, The Mothership, she explores dye as a record of colonial trade, women’s labour, and fragile ecologies. Works address borders, subversion, and erased histories, from crab trap “sea walls” to Tintin reimagined as colour grids, extending her ethos of cultural exchange and community.
