MASSIMODECARLO presents an exhibition of Peter Halley, a key figure in post-conceptual painting since the 1980s. Known for his “cells,” “prisons,” and “conduits,” Halley reimagines geometry as a language of power, exposing the systems—digital, architectural, psychological—that shape life today. His bold, fluorescent works act as portals and enclosures, amplifying the tensions between façade and framework. In this return to London, Halley affirms abstraction as critique, not escape.
