Goki Muramoto: Eyes Half Open presents three original viewing instruments that destabilize vision as individual, private, and empirically certain. Lived Montage connects participants through goggles that switch perspectives each time someone blinks, collapsing multiple viewpoints into a shared cinematic stream. Training Wheels channels sight through polished 5-yen coins — altered from economic circulation into optical devices — paired with textual prompts that bridge perception with belief. Imagraph projects color-field sequences directly onto closed eyelids through optical fibers, transforming the eyelid into a screen where technology meets the unconscious. Together the works propose perception as relational, porous, and collective rather than fixed within the individual subject.
