Far Lands presents large-scale oil paintings by German-born, London-based artist László von Dohnányi in his second solo exhibition with Andrew Reed Gallery. Taking its title from a Minecraft glitch, the exhibition explores landscape as a meta-subject shaped by technological mediation. Drawing exclusively from online sources—video games, films, 3D scans, satellite views, and drone footage—the paintings reflect how contemporary experience of the environment is filtered through digital systems. Rather than offering stable viewpoints, the works construct overlapping, unsettled spaces where multiple perspectives coexist, with earlier compositions remaining partially visible beneath subsequent layers. Von Dohnányi employs painting as a slow, embodied counterpoint to digital imagery, using manual processes and low-tech tools to translate mediated landscapes into oil, creating surfaces that dwell in thresholds between natural and artificial, stability and flux.