N. Dash: Geophilia presents large-scale paintings that bear traces of accumulation, touch, and time — frayed fabric sculptures photographed and silkscreened onto earthen grounds layered with mud, paint, graphite, and studio tools including nitrile gloves, cardboard corners, and hand towels. The surfaces redouble the terrestrial ecosystems from which they emerge, cracking and rounding like topographic terrain. Intimate despite their scale, the works ask material, ethical, and political questions about the relationships between body, technology, and land.
