Chloe Chiasson: Glory Days unfolds as an open keepsake box — a non-linear archive of images and objects drawn from the artist's small-town Texas upbringing, Queer subjectivity, and the symbolic architectures of the American South. A plastic photo album, an oversized friendship bracelet, prize ribbons from a ninth-place beauty pageant and a first-place crawfish eating competition, a worn "America" watch from her grandfather's belongings — meaning emerges through aggregation and proximity rather than singular images. Extending outward through painting, carpentry, and sculptural fabrication, the works resist a fixed point of view, mirroring memory not as stable record but as shifting, accumulative field. Nostalgia here is not sentimentality but a method of attention.