Glen Baldridge’s Headlights features large-scale works on paper using experimental printmaking techniques. Based on motion-sensor photos of wildlife near a New England pond, each piece captures animals like deer, coyotes, and herons. Through layered processes—screenprinting, watercolor, and reductive drawing—Baldridge manipulates light and form to explore perception, memory, and the uncanny, drawing from magic realism and personal associations with woodland landscapes.
