Kash Ford’s multidisciplinary practice merges painting, sculpture, and assemblage through found objects and industrial materials. Drawing on the assemblage movement of the 1950s and 60s alongside the technological culture of 1990s America, he incorporates traffic cones, cables, construction materials, toys, and paint into layered compositions. Through acts of collecting, destruction, and repair, Ford examines masculinity, power, technological change, and the value of discarded objects, creating works that challenge conventional ideas of painting while embracing material experimentation.
