Liene Bosquê's Vestigios gathers work that records the surfaces of cities. Cyanotypes and iron-oxidation prints on fabric hold the shadows, grates, and textures of New York sites; steel shelves carry rows of small porcelain impressions pressed from buildings; a sisal-and-bamboo hanging recalls Inca rope bridges. Vintage postcards of the former Miami Stadium, which stood where the gallery is now, have the stadium cut away. The show looks at memory, erasure, and urban change.
