Artist duo Abang-guard (Maureen Catbagan + Jevijoe Vitug) contends with visibility through the lens of immigration and labor in their multidisciplinary practice. For their first museum solo exhibition, Abang-guard reconfigures the iconic architecture of the 1964–1965 New York World’s Fair’s Philippines and New York State Pavilions as a scaffold to structure their investigation into the layered significance of the year 1965 in Filipino American labor history. Abang-guard takes stock of how these narratives have been lived, remembered, erased, and fought for. Makibaka, roughly translated from Tagalog as “coming together for change,” is a rallying cry used by Filipino movements and communities in fighting against exploitative systems. The spirit of makibaka is woven into Abang-guard’s paintings, sculptures, performances, and videos that pay homage to significant Filipino American sites.
