In Here and there, Owens presents a body of paintings that move between interior spaces and remembered landscapes. Bedrooms, windows, empty rooms, distant fields, and nocturnal scenes appear not as fixed locations but as emotional registers, places filtered through memory. The works feel intimate and provisional, as though at the edge of recollection. Figures, when they appear, are softened and indistinct, yet spaces seem inhabited even when empty. Light pools, fades, or flickers, creating a sense of ongoing narrative.
