Huguette Caland: My Home charts five decades of Caland's practice across Beirut, Paris, and Los Angeles, tracing a career defined by displacement and liberation. From early color-field abstractions to the erotically charged Bribes de corps series, through encoded Silent Letters and late Rossinantes sculptures, Caland consistently rendered the body as both intimate terrain and cartographic field. As curator Tarini Malik writes, "home was a rendering and a reflection of the self" — a conviction that animates every turn in this groundbreaking, continent-spanning practice.