Nobuyoshi Araki and Roe Ethridge brings together two bodies of work from Araki's archive alongside new and revisited work by Ethridge, selected and sequenced by Ethridge. New prints from Ethridge's Floral Arrangements (1995–97/2026) — pinhole photographs of flowers arranged against hand-painted textiles — find unintended dialogue with Araki's Painted Flowers, where bouquets were dripped with Liquitex before being photographed. In both practices, painterly intervention transforms the photograph into a site of layered construction. Araki's Flower Cemetery and Tokyo Nude complete the exhibition, the latter collapsing private and public by pairing female nudes with the naked backstreets of the city.
