Observatory Redux by Ann Kronenberg encompasses many interpretations relating to using art, science, and religion to create order, unity, and comfort with the disorderly and vast reality of space, and internal psyche. This eighteen foot installation in CBG’s On the Wall space is built from polychromed wood, electrical wiring, bulbs, and bookwork. The first interpretation, an observatory, is meant to display the stars in anthropomorphized constellations as they have been throughout history to give a more concrete connection between space and humanity. By displaying the stars in this way, Observatory Redux conveys a sense of cosmic connectedness that is attainable through art. Much like art, religion also aims to connect humanity to abstract ideas. Because of this, the piece resembles an altar that demonstrates the kinship of religion and art. Thirdly, Observatory Redux can be interpreted as a rocket ship to demonstrate that humanity aims to control the vastness of space to avoid seeking solutions to problems on Earth. The mythologic stories conveyed in Observatory Redux are used to parallel Kronenberg’s own conflicts and life. Finally, the connection of individuality and the stars demonstrates the complementary principles expressed in the Yin-Yang of Chinese philosophy. Observatory Redux is meant to express numerous ideas relating to the need of humanity to understand and control abstract ideas.
