On the Nature of Daylight brings together twelve artists around daylight as subject and structural force — its presence, absence, and the charged space between. Curated by Kristen Becker, the exhibition spans acrylic, bronze, cut paper, and resin, with works ranging from Peter Wickenden's intricate ink ecologies and Sara Siestreem's haunted xerographic silhouettes of an extinct oyster species to Sarah Peters's uncanny busts that shift identity with the viewer's vantage point. Light here is never neutral — it discloses and conceals, renders the familiar strange, and makes the unseen suddenly present.
