Camille Eskell: One Thousand and One Threads reclaims matriarchal power through textiles, found objects, and collages. Drawing from legendary Middle Eastern queens and personal history, she confronts patriarchal control and elevates feminine identity. Works such as Dis-Miss and Queens of Babylon reinterpret symbols like the fez and crown, asserting presence, sexuality, and heritage while challenging entrenched biases of gender, culture, and family.
