Robert Mangold’s paintings are investigations. Across more than five decades, he has returned to a focused set of concerns—line, color, shape, and structure—testing their relationships through a sustained and deliberate practice. The works in this exhibition, spanning from 1973 to 2012, reflect both continuity and variation. While they differ in format, scale, and composition, each holds to a consistent intent: to explore how a painting can exist as a complete and self-contained object.
