Along the way, something changed is an exhibition of new paintings by Latifa Alajlan that function as a meditation on disappearance. Drawing on motifs of Islamic and Middle Eastern architecture, Alajlan builds luminous white surfaces from acrylic, graphite, oil, and compound on linen, then transmutes them into denser compositions where fragility gives way to pressure and erosion. Building materials stand in for paint—not to rebuild, but to hold onto something before it's gone.
