Zürcher presents works made by Alix Le Méléder between 1993 and 2011, tracing a path from her oils on paper to large-scale canvases. She describes a painting practice of reduction and ritual, where each gesture is countered by a space of absence. Influenced by her time in India, Le Méléder’s restrained compositions explore impermanence and renewal, culminating in a body of work that quietly dissolves the boundary between presence and void.
