Pat Passlof and Milton Resnick presents focused works by two early pioneers of Abstract Expressionism who met in 1948 and married in 1962, maintaining separate but parallel practices across decades of shared life in New York. A 1962 Passlof canvas exemplifies her rhythmic, lighter-palette approach shaped by study with de Kooning; Resnick's monochrome Edna (1973) represents his near-obsessive emphasis on paint itself — thick, heavy, imageless. The presentation coincides with the gallery's broader exhibition of works from the collection of Robert A. Ellison Jr., who counted both artists among his friends.
