Jonathan Ehrenberg: Plural Is a Kite that Goes Left or Right

For over two decades, Jonathan Ehrenberg has created staged worlds—films, digital forms, and now clay sculptures of everyday objects encircled by small paintings. This new constellation, developed since the pandemic and his entry into fatherhood, feels like the visible crest of a larger, submerged project. His work hovers at the edge of language and memory, evoking the effort to recall names, time, and shared experience while remaining aware of unseen depths.