Zachary Wollard’s “Remote Viewing” presents paintings and sculptures generated through “projective imagination,” using layered acrylics to allow figurative forms to emerge spontaneously. His works depict elongated, patterned figures in ambiguous social moments—nightclubs, ceremonies, and intimate embraces—capturing camaraderie, isolation, and melancholy. Narratives unfold organically, emphasizing relational tension while leaving interpretation open and uncertain.
