Rituals of Repair brings together Jonathan Sánchez Noa, Alejandro Valencia, and Carlos Vielma around cultural resilience and the enduring effects of colonialism. Sánchez Noa's handmade paper works incorporate cascarilla, indigo, and tobacco to reconstruct narratives of displacement; Valencia's sculptures stage collisions between found objects marked by political and cultural memory; Vielma reclaims black velvet painting — long dismissed as kitsch — through family memory and border landscape. Together the works propose resilience not as recovery but as an active, ongoing process of making meaning from fracture.
