In this body of work, the steel rolling gate is transfigured into something humorous, intimate, and welcoming. Bounded up in these artifacts are the social dynamics of urban life – thresholds which simultaneously protect and exclude, exist privately and publicly, remain invisible yet present. Playfully eschewing utilitarian origins, the sculptures will temporarily arrest the ceaseless urban continuum by reinterpreting material thresholds and exposing the interstitial realities of urban life and language.
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