In Roving Wire, Rosha Yaghmai fills the gallery with sand-cast aluminum sculptures and layered organza paintings set among frosted totems. Her forms evoke bones, trunks, and currents of light, shifting between bodily interior and vast terrain. Using molten metal and burned-out molds, she turns absence into mass, while veiled textiles obscure Persian imagery. The works suggest memory and ancestry as somatic, unstable forces, sensed rather than fixed.
