Americas Society presents a survey of Mexican painter Lilia Carrillo, a key figure of the Generación de la Ruptura and its most prominent woman artist. Spanning works from 1960 to 1973, the exhibition traces Carrillo’s mature practice, marked by thick, worked surfaces that are carved, scratched, smudged, and collaged. Alongside archival materials, the paintings reveal her engagement with international abstraction and her forceful challenge to the stability of the picture plane.
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