Sarah Sense’s *Land, Line, Blood, Memory* gathers more than twenty new photo-weavings from landscape photographs, maps, archival land records, historical images, bamboo and rice papers, thread, ribbon, and hand-prepared rivercane. A Tree Weaving Quilt made with her children wraps related works. The show links Chitimacha/Choctaw ancestry, National Park landscapes, and colonial mapping to land, identity, and healing.
