Scavenger, Max Hooper Schneider’s first New York solo exhibition at 125 Newbury, immerses viewers in speculative ecosystems where science and art collide. His chaotic dioramas of coral, copper, oil-soaked toys, and glowing pill capsules evoke post-human landscapes questioning the divide between nature and culture. Both absurd and melancholic, the works probe decay, mutation, and resilience in a world shaped by collapse and transformation.
